one. looking back over the course of the year, and your blog posts, which project or projects were the most engaging for you? Where did you fully own your process as an artist? where did you get lost in the material or the making of work?
I feel as if the final, relief print project, was the project that fully exemplified my skill as an artist, mostly because I had the most experience beforehand. The relief project and the charcoal were both engaging because of the way we subtracted the black instead of adding it on. The most difficult project was most likely the photography project because it was hard to have light shine how you wanted.
two. you have had a year of tremendous artistic growth. where do you see that you have grown the most? think about the studio habits as you answer and explain--observe, stretch and explore, craft, express, understanding the art world, reflect. which of these areas do you feel the most comfortable with? how do you see that comfort showing up in your creative practice?
I feel the most comfortable in my ability to stretch and explore different ways to display what I want on the material. This comfort shows in my work because I enjoy making many different drafts to see how they work differently. This exploration helps with discovering how to do something.
three. think about the things we've studied this year--line, form, shape, color, pattern, texture, positive & negative space. discuss a few of these terms that are the most engaging for you. what have you learned about them? how do you have a better understanding of them?
Negative and Positive space are the most engaging because they change the mood of a piece drastically. If a piece is mostly dark, it has a sad mood , where if a piece has a lot of whites, it has a lighter mood. Texture is also engaging because it can change the look very
four. course evaluation. which assignments were the most successful? which assignments were the most frustrating? What are one or two things that Mr. O/Ms. Seal do really well? What is one important peice of advice that you would offer your teacher so that they could make this class better?
The most successful projects were the charcoal and relief print projects. The most frustrating project was the value photography because of depending on the time/type of day the lighting could change, and it was very hard to control the lighting. One thing Mr. O does well is explain how to convey what you want on the material. One bathing that could be better is more options during each project besides just what you want to draw/paint/photograph, such as in the sculpture project, when we could decide between clay and plaster.
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